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Holden Copley | Through It All

When Holden Copley explained the type of film they were after, we were hooked. It’s the kind of work that inspired us to start Lambda Films in the first place; films with heart and real human feeling, delivered with cinematic appeal.



 

The Brief

Customer loyalty is a fickle thing in the real estate business. Buying a home is usually something one does only a handful of times, with years, or even decades between these moments so being front of mind when the time comes is a challenge. Holden Copley wanted to change that. The way they operate positions the brand as an estate agent for life, with their customers at every major home-buying decision. This was the core of the creative brief that came to us.

 

The Creative Approach

To demonstrate this, we wanted audiences to feel that Holden Copley understood customers on a deeply human level. It wasn’t simply about selling bricks and mortar and moving on; Holden Copley remain part of people’s lives throughout their personal journey.

With that in mind, we crafted a narrative spanning generations of a single family, following them from the excitement and uncertainty of a first home, through the chaos and warmth of family life, and finally into the comfort and quiet familiarity of retirement. By anchoring the film around recognisable life stages, the story became something viewers could emotionally project themselves into, regardless of where they were in their own journey.

Rather than presenting the homes as aspirational showpieces, we wanted each property to feel genuinely lived in. The focus was always on the people within the spaces and the memories being created there. There was mess, and there were imperfections, just like life. This approach allowed the brand message to emerge naturally through emotion and familiarity, instead of relying on overt sales messaging.

Production

All in a lifetime.

Visually, we approached the film with a cinematic sensibility that balanced warmth, authenticity and polish. Each chapter of the family’s life was given its own subtle visual identity through lighting, colour palette, lensing and production design. The first home carried a sense of youthful optimism and intimacy, the family home became fuller, busier and more energetic, while the retirement bungalow embraced softer tones and a calmer pace to reflect reflection and contentment.

The action was located in three large purpose built sets that allowed us to decorate and dress each space to our liking, to reflect journey our characters were on. The sets were built and housed by our regular collaborators, Creative Klousions with fabricators on stand-by to tear down and re-dress sets between scenes.

Holden Copley | Through It All

Creative Director:
Ryan Stone
Director:
Alex Morris
Director of Photography:
David Stafford
1st AC:
Robert Oliver
Set Build :
Keith Herring, Louise Longhorn
Hair & Make-Up:
Lina Hallberg
Post Production:
Darren Jamieson
James / Father:
Carlos Da Costa
Laura / Mother:
Agata Nielson
Sam (Child):
Chloe Melo
Sam (Teen):
Sophie Chapman